I am thrilled to welcome Sophie Perinot, author of the upcoming "Medicis Daughter," to A Bookish Affair today. I cannot wait to read this book!
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| Author, Sophie Perinot (from Amazon.com) |
What inspired you to write about Marguerite de
Valois in "Médicis Daughter?"
I have a Valois
obsession. I’ve never understood why these
French royals get so little attention (aka historical fiction and costume
dramas) and the Tudors get so much. What
is up with that? The Valois dynasty is
full of fascinating characters, and its last years encompass the violent drama
and partisanship of the French Wars of religion. Quite
frankly I find the Valois more intriguing and sexier than the Tudors.
As for
Marguerite herself, I was drawn to the contrast between her life and that of
Elizabeth I of England. Both were the
last royals of their line, yet only one got to be a sovereign Queen. And that was simply a matter of bad luck—or
rather the difference between French and English law—not because Marguerite lacked
the abilities to rule. She was highly intelligent
and politically astute. Arguably she was
more similar to her strong-willed, politically expert mother, Catherine de Médicis
than any of her three brothers who sat on the French throne. Yet none of this is what we hear about Marguerite.
Oh no . . . instead we hear she was wanton
and promiscuous. Why is that?
Well, the last
years of any ruling family are generally recounted by “what’s next”—that is by people
who have something to gain from smearing their predecessors. That was certainly true of the Valois. And, owing to the contentious political and
religious climate of the second half of the 16th century, even
before they died out, the Valois were being attacked by enemies, rivals and anonymous
political pamphleteers. In the case of
Margot her attackers—like those who later skewered Marie Antoinette—chose the
easiest and most ancient path for destroying a woman: assertions of rabid
sexual desire. I decided to undercut the
toxic myth that envelopes Marguerite de Valois by giving her a voice and
showing her as a complex woman of contradictions and conscience.
Why do you think people are still so drawn to
reading and learning about the Medicis?
Power. The name Médici, or Médicis as the French
spelled it, makes people think of power.
And as Henry Kissinger said, “Power is the ultimate aphrodisiac.”
Who is your favorite character in the book and why?
Of course I love
Margot. The book is written in
first-person present-tense through her eyes so I know her in a special
way. Sometimes I feel as if I channel
her. But I also love her cousin, Henri
de Bourbon, Prince (and then King) of Navarre.
He is such a fish-out-of-water at the Valois court: blunt,
unfashionable, unconcerned with what other’s think of him. He spends a good deal of his youth as a
hostage of sorts among the Valois—who are his cousins—and I think that a lot of
people underestimate him. That is their
mistake. Margot certainly makes that
error, but she is smart enough to eventually recognize and appreciate how much
savvier Henri is than he seems.
What is the strangest/ most interesting detail you
came across while researching “Médicis Daughter?
One of my very
favorite historical oddities in “Médicis Daughter” is the Princesse de
Porcien’s book of hours. The Princesse
had the habit of having former lovers portrayed in her devotional book
crucified or otherwise in uncomfortable states.
I find that both daring and hysterical.
My critique partner got to that portion of the manuscript and wrote, “This
has to be true because you COULD NOT make it up.”
Can you tell us about a favorite scene in the book?
One of my
favorite scenes occurs on the day after the St. Bartholomew’s Day Massacre
began when the Court rides out into the corpse strewn streets to go to the Cimetière des Innocents. A Hawthorn bush has suddenly bloomed at the
cemetery and this flowering is being seen and celebrated as a miracle by the
Catholics—viewed as God’s approbation of their actions in slaughtering their
Protestant brethren. Margot makes the
trip under duress, and I worked hard to capture both her disgust at some of the
people she loves best and her pain—both spiritual and physical—in witnessing
the carnage. She becomes fixated on one
particular pair of corpses in the Rue Saint Honore:
“A small child in his
night shift lies at the side of the road just ahead. His hand is within a hair’s breadth of a
woman’s, doubtless his mother, who was equally unable to save him or to retain
his hand in death. I cannot take my eyes
off those hands. As we pass, my head
turns over my shoulder to see the pair of them.
The effort of holding back my tears is physically painful. My chest burns. My stomach is hollow. I glance at Henriette but she looks straight
ahead.
What monsters we are.”
Was the writing process of this book any different
for you than "The Sister Queens" or "A Day of Fire?"
Absolutely. I am such a character-driven writer. I am always waiting to hear the important
voices in a given novel and since those voices are very distinct that can
really alter things. Some books present
very linearly—that was true with “The Sister Queens.” Some come in bits. With the manuscript that I just turned over
to my agent, the first thing my main character gave me was a verse of a
song—lyrics he sings in the first chapter.
The second thing he showed me was how his story ended. So I was writing the in-between. “A Day of Fire” had a writing process shaped
not only by my story’s two alternating points of view, but by the unique fact
that six authors were composing a novel together. So we wrote some scenes in real-time on
google documents, with each of us speaking through and for our own characters. “Médicis Daughter” is a coming of age story,
so it tended to move forward organically as Marguerite matured before my eyes.
If you could bring three fictional characters or
historical figures with you to a deserted island, who would you bring and why?
How deserted is
this island? Because if there are no
minions and I bring a bunch of queens we all know who is going to get stuck as
lady-in-waiting. But assuming that royal
guests bring with them the appropriate servants then, as I count down to the
release of “Médicis Daughter,” I’d like to hang out with Marguerite de Valois
to see if she is who she told me she was.
I wouldn’t mind sitting down with Catherine de Médicis too but NOT at
the same time or even on the same island.
Marguerite and I
would be joined by Elizabeth I of England, because when I was a little girl I believed
I was her reincarnation.
Finally, though
it is tempting to select a handsome gentleman to round out the group
(especially if we are going to be trapped on this island for any length of
time), I think I will keep things “16th-century-ladies-only” by
inviting Henriette Duchesse de Nevers.
She is one of Marguerite’s closest friends in my novel, and I have a
feeling that she’d liven things up.
Suddenly this is sounding like a party.
Oh and for the record, the French throw better parties than the English
(don’t tell Queen Elizabeth I said that).
Medicis Daughter will be released December 1, 2015.
Pre-order it at your favorite retailer:
